In the midst of writing a dystopia of my own, it strikes me on an almost daily basis the degree to which society has come under the thumb of a very fickle dictator: money. Further, money within the context of an inherently unstable and unjust neoliberal capitalist system. For a searing criticism of the failures of this system, flawlessly melded with a scintillating story, I point you in the direction of Lionel Shriver’s The Mandibles: A Family, 2029-2047.
The Mandible family has a sizeable fortune, but when a bloodless world war wipes out their millions they, like the rest of America, find themselves out of their homes and on the brink of starvation. Crammed into their poorest relatives’ house, the financial crisis brings out the best in some, and the worst in others. But, as society continues to devolve and culture breaks down, the choices ahead only get tougher. Continue reading Book Review | ‘The Mandibles’ by Lionel Shriver
Spoiler alert: This review contains massive plot spoilers about Fahrenheit 451.
In a year when readers seem to be turning to dystopias for sanity, there seemed to be no better time to return to Bradbury’s sometimes overlooked book, Fahrenheit 451.
Named after the alleged temperature at which books burn, the story follows Guy Montag, who lives in a world where books are banned, as they are thought to be the source of discord and unhappiness. As a fireman, it is Montag’s job to burn any books that are found. Yet, unhappy in his marriage and unsatisfied with life, Montag finds the lure of books too much to resist – and once there are books in his house, there is nothing to stop the feared Mechanical Hound of the Fire Department from tracking him down.
Fifty years on from its initial publication, growing post-truth, anti-intellectual sentiments in Western society have given Fahrenheit 451 new relevance, indeed in parts with almost uncanny precognition on Bradbury’s part. Many elements come into play during this book: the frustrating loss that comes with conformism; the borderline madness that comes with rebellion; the senselessness that must, after a certain point of tyranny, accompany political hope. Yet, to me, it is the end which is most pertinent in the current climate. Continue reading Book review | ‘Fahrenheit 451’ by Ray Bradbury
It is a great grievance of mine that Science Fiction and Fantasy are often seen as lesser genres to literary fiction, or that if you write in a literary style you cannot appeal to audiences of these genres. To me, these views are utterly false. Thankfully, I think Karen Thompson Walker would probably agree, and neither of these quite popular views seem to have held her back when she created her extraordinary first book, The Age of Miracles.
Set in the near future, The Age of Miracles explores a world in which the planet Earth has begun to slow on it’s axis, and the experience of this by Julia, an American teenager. It’s a fantastically wrought piece, unfolding beautifully and eloquently across the pages. It’s almost oppressively anxious, without directly expressing much fear. The characters emotions are imparted obliquely and concisely, leading up to the final sentence with absolute poetic clarity. This is a book to read if you want to feel human. Continue reading ‘The Age of Miracles’ by Karen Thompson Walker