Wow, it’s been a very busy couple of weeks!
First, I am so thrilled to have given my very first lecture ever, to the lovely Creative Writing & Publishing MA students at City University. It was a glorious morning, and huge thanks to Patrick Brindle the programme director, for inviting me along.
Second, I was also on a fab panel at Byte the Book: ‘How are independent publishers shaking up the industry?’ It was a warm event, brimming with good cheer and friendly debate – I had a fabulous time. Thank you to fellow panellists – Nicholas Cheetham from Head of Zeus, Sam Jordison from Galley Beggar Press, and Aimée Felone from the brand new publisher, Knights Of – for being so amazing to chat with, and to Emma House from sponsors The Publishers Association for chairing us so expertly. And, of course, double doses of thanks to Justine Solomons, who makes Byte the Book so fantastic every time, and invited me to be on the panel.
You can read all about what we discussed in the official, free-to-read Byte the Book report!
Last weekend, Kindle celebrated it’s 10th anniversary (that’s right, we’ve had a whole decade of eBooks now!) In honour of the occasion, I penned a little read-to-read opinion piece for BookBrunch that links together backlist, time travel, and the famous eReading device itself! Don’t forget to click the link for the full FREE article…
The Kindle – 10 years of teaching us time travel
On the 10th anniversary of the release of Amazon’s Kindle, Jasmin Kirkbride reflects that the device has taught us not only how to read digitally, but also how to sell books by warping time
When the Kindle was released on 19 November 2007, it sold out in just 4.5 hours, and went on to disrupt the book market with a power often compared with that of the invention of the printing press. Amid the panic that naturally arises with such drastic change, there have been a few genuinely positive effects on the book market. Continue reading The Kindle – 10 years of teaching us time travel
Did I hear someone ask for some publishing news? Look no further, because it’s time once again for my monthly publishing news wrap over on BookMachine! Follow the link here and at the end of the excerpt for full hyperlinks and article.
This month in publishing, there has been much news from across the pond as BookExpo took place, with tweaks promised for 2018 to try to find the right balance between Expo and Con. The big books of the BookExpo show have been slightly overshadowed, however, by the continuing fuss over the size of advances being paid to American politicians for their books, including $795k for Bernie Sanders and former FBI Director James Comey is looking at a rumoured $10m bidding war.
In bookselling, once again author James Patterson has partnered with the American Booksellers Alliance for his Holiday Bookseller Bonus program, which this year will give even more ‘bonuses’ to individual bookshops in America. For one bookshop, however, no bonus is needed, as they just sold a first edition James Bond book for a whopping $22,500! Continue reading BookMachine | The June 2017 Publishing News Wrap
As some of you may have gathered from social media, I’ve been busy-beeing away running the Hay Festival Twitter feed again this year. What a joy it’s been too: so many insightful, thought-provoking ideas flying around. Amazing to be there to help celebrate 30 years of Hay – I’m totally exhausted and completely inspired!
As well as Twitter, I wrote a summary of the industry news from the first half of the Festival for BookBrunch, and also joined the journalists in the media room to write a few Facebook posts for Hay: Continue reading Reporting from Hay Festival 2017
Roll up, roll up! It’s time to hear about the biggest publishing news from around the web over the past month, with the BookMachine May Publishing Wrap!
Big news from Amazon once again this month, as it hit an all-time high in the stock market and revenue from Q1 is up, prompting CEO Jeff Bezos to sell some of his stocks in the business for the largest sum yet. The tech giant’s Japanese expansion continues apace and they are widely considered to be “eating the world”, but all is not well with Amazon’s relationship with publishing. The introduction of a new buy button programme has drawn criticism from publishers and authors alike – including in the independent scene. What’s more, Amazon has this month announced and released a new book chart system, in which – perhaps unsurprisingly – their own books are notably faring better than anyone else’s. Continue reading BookMachine | The May Publishing Wrap
It seems fitting to end my collection of BookBrunch interviews over the last year with this blast of positivity and deep thought from author and philosopher Damon Young.
Thank you so much to BookBrunch (Nick, Neill, David & Tobias in particular) for letting me launch this new column of the magazine over a year ago now, and a huge big shout out to my successor Julie Vuong – do get in touch with her via the BookBrunch website if you’re interesting in being interviewed. I have enjoyed doing these interviews so much and will really miss them – big love to everyone who’s been involved along the way.
So, without further ado: Damon Young on his new book, The Art of Reading.
Young describes The Art of Reading as having three strands: autobiographical, philosophical, and “vaguely” sociological. But it quickly becomes clear that his analysis of reading is going to step outside the box…
Define ‘reading well’
“What I’ve suggested is that the best way to think about ‘reading well’ is that there is no law. It’s not an easy universal principle, you can’t just say, ‘The way to read is like this.’ Our experiences and books are too diverse for that to make sense. We can’t even read the same book in the same way, let alone all the different books.” He cites the Bible. “Love of God’s a perfectly reasonable Christian response to the Bible, sure, but it’s not enough. There are so many different ways to read the Bible, let alone Nietzsche, and Jane Austen, and Henry James… There is no law.”
As you all know, I’m moving on from BookBrunch soon – but there’s just time for three penultimate weekly interviews before the final one comes out next week!
Celebrating elite achievement and great writing, with Andrew Kidd, co-founder of the Rathbones Folio Prize
“It’s in service of the public, ultimately, of people to whom books matter. There’s a difference between an elite achievement and elitism. We can get excited about the idea of excellence – by people who can do something beyond what we can do. Good books can do that.”
Digital in the education sector, with John Donovan, MD of VitalSource
“There’s definitely a new breed of publisher emerging. There has been for the last 15 years. The challenge is moving your base from a print to a digital product, and the question is whether the digital is developing fast enough to counteract the decline in print.”
Yep, that’s right, after a year and a half, over 1700 articles, more than 60 interviews, and literally hundreds of thousands of words, I’ve decided to move on from freelancing and from BookBrunch.
As of Monday, I will be taking on the role of Publishing Director at Endeavour Press. To say I’m excited would be the understatement of the century – I’m totally over the moon. I can’t wait to join the fabulous Endeavour team and find new ways to work with all my publishing friends and colleagues in my new role. Continue reading Joining Endeavour Press
Once in a while, a book comes along that totally blows your mind. The Hate U Give is one of those books and everyone should read it right now. Even better, the author Angie Thomas, is a total sweetheart, absolutely bursting with passion. Here’s our chat – and you should totally check out the full article on BookBrunch – but you should also buy the book.
Angie Thomas has shot to literary stardom in recent months, as her debut novel The Hate U Give, skyrockets to the top of the NYT bestseller charts. Set to be published in 18 territories and counting – and already out here through Walker Books – the YA novel follows 16-year-old Starr, who lives between the poor Mississippi neighbourhood where she was born and a posh high school in the suburbs. When she becomes the only witness to the fatal shooting of her unarmed best friend, Khalil, she comes face to face with police brutality and systemic racism
After the intensity of the book, Thomas herself is a slight surprise: a generous smile, regular laughter, and a soft Mississippi accent. Her passion and conviction shine through, however, and she has much to say on publishing, on the importance of books, and on America itself.
The struggle to write
Though Thomas has been telling stories for as long as she can remember, it took her a long time to believe that being an author was something she could do. “For one, I never saw or met any authors who looked like me. Mississippi has a rich literary history, but most of them are either white or dead and I was neither! So it felt like it was something that I, as a black girl in a poor neighbourhood in Mississippi, just couldn’t do.”
Here’s your monthly summary of hot publishing news from around the interwebs! Don’t forget, you can read the full article over on the BookMachine blog.
This month in publishing news, there has been an unusual obsession with the smell of books. Not only did scientists pin-point that distinctive smell of second-hand bookshops, but the Guardian discovered what you can tell about an individual book from its smell – and why the scent is so addictive.
In the bookselling sphere, Amazon once again dominated the opinions columns, as their forays into bricks and mortar bookshops continue. Plans for a second New York City bookstore, and another in Massachusetts are underway, while Seattle has been tipped as the next Amazon experiment ground. Continue reading BookMachine | April Wrap: Publishing stories from around the web
This week’s BookBrunch interview is with the lovely Karen Sullivan from Orenda Books – don’t forget to click the link for the full article!
Two and a half years on from its launch, Orenda Books is going from strength to strength. Run by its founder, Karen Sullivan, Orenda publishes literary fiction, as well as “the high end of genre fiction”, with an emphasis on crime and thrillers. About half the list is translated fiction, and Sullivan is always keen to push the boundaries.
Striking out alone
Though Sullivan started in publishing at Sidgwick & Jackson, working her way up to commissioning editor, for much of her career she has written books on parenting. As her own children got older, she took what was supposed to be a one-day-a-week job at a small publisher; it turned into 15 months of non-stop work when it became clear all was not well with the business.
This week for the BookBrunch interview, I chatted with three of this year’s Trailblazer Award winners, Anna Russo, Heather McDaid, and Željka Maroševic. Check out the excerpt below or follow this link for the full article.
Two months on from the second annual Trailblazers Awards, organised by London Book Fair (LBF) and the Society of Young Publishers (SYP), we catch up with three of the five Trailblazer winners – Anna Russo, Željka Maroševic and Heather McDaid – to find out what they’ve been up to and their plans for the future. They provide a snapshot of an industry, not just expanding outside London, but around the world
Another trio of interviews for you from BookBrunch, and each one is a real treat for publishing enthusiasts.
First, I caught up with Henry Rosenbloom from Scribe, who was so frustrated with the state of rights sales, he decided to expand his publishing house from down under to the UK. This is one publisher that’s serious about seriously good books!
“Later on in life, I’ve realised that what drives me as a publisher, in a strange kind of way, is the Holocaust. That’s what imprinted on me the seriousness of the world we live in, and how important it was to try to understand history, politics, people, and how to tell the truth. How to ‘comfort the afflicted and afflict the comfortable’. Books have the power to change people’s lives, and we want to put out books that demand to be published because of their intrinsic significance.” Continue reading Publishing internationally, digitally and collaboratively with the BookBrunch interviews
It’s the time of the month where I round up all the internet’s top publishing stories and stick them in one place on the BookMachine blog for your perusal! Here’s a sneak peek – don’t forget to visit the BookMachine blog for more…
The big news from March in UK publishing is obviously the London Book Fair (LBF). Poland shone at this year’s Market Focus, and the Fair was busier than usual, with six-figure deals struck ahead of time and publishers cheerfully splashing cash as sales rose. This was seen as further evidence of the rise of print, with The Guardian stating that by the end of the month stats showing that print outperformed digital. Yet, despite the recent whopping $65m forward paid for the Obamas’ new book (which hasn’t pleased all and prompted a list of the biggest deals of all time) no single title emerged as this year’s big hitter. Continue reading BookMachine | The March Wrap
When BookMachine asked for an opinion, I couldn’t not comment. Read the full article here, or grab the snippet below:
Outrage abounds in the wake of Philip Hammond’s 2017 Budget announcement on Wednesday. Amongst other controversial moves, National Insurance (NI) payments on the self-employed have been increased by 2%. But what effect will this raise have on the growing number of self-employed and freelance workers in the publishing industry?
Let’s start by looking at the cold, hard figures. The 2017 Budget has brought in a 2% rise in NI contributions for the UK’s self-employed workers. The self-employed normally pay one of two different kinds of NI: Class 2, if your profits are £5,965+ per year, and Class 4 if they are £8,060+ per year. Class 4 payments are divided into two categories: 9% on profits of £8,060-£43,000, and 2% on profits over £43,000. Continue reading BookMachine | A tax on the precariat: what the 2017 budget means for the self-employed in publishing
For those of you looking for some pleasant reading today, I thoroughly recommend catching up on the last three BookBrunch interviews!
Looking back to the New Year, Suzanne Baboneau, Managing Director of Adult Publishing at Simon & Schuster, discusses what lies ahead in publishing.
Then bestselling novelist Chibundu Onuzo talks about her new novel, Welcome to Lagos.
And finally Sophie O’Neill, Managing Director at Inpress chats about the rise of the independent publisher and the value of poetry. Continue reading BookBrunch | January interview catch up
Season’s greetings, friends! And boy, what a ride 2016 has been! Here’s hoping that 2017 brings more peace and sanity into the world – and for all of you much prosperity and some grand adventures.
Just because the season of of gifts and feasts is upon us, doesn’t mean I’ve been slowing down on the old journalism front though. Very excitingly, I can now reveal my first ever podcast: The BookBrunch Yearly Wrap 2016 Podcast, brought to you for FREE! That’s right, you can listen in for absolutely no money as some of the publishing industry’s top voices talk about their feelings on 2016 and their predictions for the year to come. The only reasonable excuse for not listening is if you have eaten so much you’re plastered to the couch. Continue reading BookBrunch | Last interviews of 2016 & my very first PODCAST!
In a rather lovely turn of events, I have been listed on Byte the Book’s Hub for publishing professionals. You can check out my profile right here.
Returning the favour, I thought I’d give Byte the Book a big shout out. They’re a fab networking event for everyone in the publishing industry and beyond, bringing together engaging, lovely folk from across the creative sectors. Yes, writers, that includes you!
They have monthly events with panels on industry issues and it’s worth becoming a member just to attend them all for free, let alone for the other great benefits like free entry to Bologna, LBF and Frankfurt.
I’ve been a member for two and a half years now and it’s become one of my go-to events for keeping up with publishing and staying connected to my industry friends. For more information, check out the Byte the Book website.
For this week’s BookBrunch interview, I spoke with Ed Marino, Executive Chairman and codeMantra about publishing’s very technological future and the benefits of real collaboration. For the full article, visit the BookBrunch website, or get started with the excerpt below…
There have been a lot of claims over the past year that digital sales are down and print is on the rise, but according to Ed Marino, Chief Executive and part-owner of service provider codeMantra, publishing’s phase of uncertainty is far from over. In our trans-Atlantic chat, we discuss the definition of true collaboration, the role of service providers in the industry, and our very technological future.
Marino came on board with codeMantra in February 2014, after he and a group of colleagues acquired the business. In his classic US accent, Marino describes it as “a technology-enabled services company” that offers content production and software platform services to major publishers, primarily in the STM and Academic space.