It seems fitting to end my collection of BookBrunch interviews over the last year with this blast of positivity and deep thought from author and philosopher Damon Young.
Thank you so much to BookBrunch (Nick, Neill, David & Tobias in particular) for letting me launch this new column of the magazine over a year ago now, and a huge big shout out to my successor Julie Vuong – do get in touch with her via the BookBrunch website if you’re interesting in being interviewed. I have enjoyed doing these interviews so much and will really miss them – big love to everyone who’s been involved along the way.
So, without further ado: Damon Young on his new book, The Art of Reading.
Young describes The Art of Reading as having three strands: autobiographical, philosophical, and “vaguely” sociological. But it quickly becomes clear that his analysis of reading is going to step outside the box…
Define ‘reading well’
“What I’ve suggested is that the best way to think about ‘reading well’ is that there is no law. It’s not an easy universal principle, you can’t just say, ‘The way to read is like this.’ Our experiences and books are too diverse for that to make sense. We can’t even read the same book in the same way, let alone all the different books.” He cites the Bible. “Love of God’s a perfectly reasonable Christian response to the Bible, sure, but it’s not enough. There are so many different ways to read the Bible, let alone Nietzsche, and Jane Austen, and Henry James… There is no law.”
This week for the BookBrunch interview, I chatted with three of this year’s Trailblazer Award winners, Anna Russo, Heather McDaid, and Željka Maroševic. Check out the excerpt below or follow this link for the full article.
Two months on from the second annual Trailblazers Awards, organised by London Book Fair (LBF) and the Society of Young Publishers (SYP), we catch up with three of the five Trailblazer winners – Anna Russo, Željka Maroševic and Heather McDaid – to find out what they’ve been up to and their plans for the future. They provide a snapshot of an industry, not just expanding outside London, but around the world
Season’s greetings, friends! And boy, what a ride 2016 has been! Here’s hoping that 2017 brings more peace and sanity into the world – and for all of you much prosperity and some grand adventures.
Just because the season of of gifts and feasts is upon us, doesn’t mean I’ve been slowing down on the old journalism front though. Very excitingly, I can now reveal my first ever podcast: The BookBrunch Yearly Wrap 2016 Podcast, brought to you for FREE! That’s right, you can listen in for absolutely no money as some of the publishing industry’s top voices talk about their feelings on 2016 and their predictions for the year to come. The only reasonable excuse for not listening is if you have eaten so much you’re plastered to the couch.
I’ve been on a bit of an adventure since I last posted, reporting on Sharjah International Book Fair in the UAE for BookBrunch! What an extraordinary place it was and I’m very grateful to Sharjah Book Authority and Midas Public Relations, London who showed me such overwhelming hospitality while I was there.
If you’re interested in the news from the Fair, check out these articles – including an interview with Ahmed bin Rakkad al Ameri, Chairman of the Sharjah Book Authority:
As many of you may know, I love short stories. Reading them, writing them, eating them… Ok, maybe I don’t literally imbibe them but there’s a definite consumption process involved in perusing a short story.
So you can imagine how excited I was this week when I got to interview KJ Orr, the winner of this year’s BBC National Short Story Award. As always, read the full article over on BookBrunch or enjoy the excerpt below.
The big book buzz this week has been about the 2016 BBC National Short Story Competition winner, KJ Orr, and her winning story, ‘Disappearances’. A debut author, Orr beat a heavyweight shortlist including Man Booker winner Hilary Mantel and Costa Poetry Award shortlisted Lavinia Greenlaw. Here, Orr discusses what it feels like to have won, how she came across short stories, and their value to readers.
“It feels pretty incredible and still quite hard to believe,” says Orr about winning the award. “I was settled on the idea that I hadn’t won so I was not prepared at all. Doing the live broadcast directly after was surreal. Most writers are fairly introverted, quiet souls, then there are moments where you have to come out and put on a public hat. I just hoped I made some sense because I wasn’t really prepared to say anything!”
It’s been a while since I busted out an opinion on publishing, so here’s some thoughts about Faber Academy and their extraordinary success with getting their students published. Read the full article over on BookBrunch, or enjoy this little snippet.
Jasmin Kirkbride investigates the successful formula of the Faber Academy, and learns that it involves focusing on the work rather than on the deal
Last week, Headline announced that the launch list of its new Wildfire imprint would contain three Faber Academy graduates: Colette McBeth (published previously by Headline Review) and debut novelists Karen Hamilton and Felicia Yap. This is the latest in a steady stream of deals for writers who have taken the course. What is the secret of their success?
This week for the BookBrunch interview, I chatted with Bibi Bakare-Yusuf, one of the founders of Cassava Republic Press, a leading African trade publisher who has just expanded to the UK. Read the full article over on BookBrunch.
Bibi Bakare-Yusuf is one of those infectiously inspirational women who leave you feeling very hopeful about the future of publishing. She has a cast-iron confidence in the lists of her publishing house, Cassava Republic Press, which she co-founded ten years ago in Nigeria, and her positivity about their recent move to the UK shines through. Here, we discuss Cassava Republic’s beginnings, UK expansion and how African writing fits into the wider world.