This week for the BookBrunch interviews, I talk to comedian and author Sara Pascoe about feminism, comedy and her brand new book, Animal. You can find the full article, right here.
Comedian Sara Pascoe sits in a room at the Faber offices surrounded by piles of her new book, Animal: The Autobiography of a Female Body. She speaks quickly, as if each of her thoughts are eager to be expressed first, and uses her hands expressively to illustrate her points.
We’re here to talk about Animal, but in our half-hour chat the conversation zips from feminism and publishing to empathy and burning orangutans, all set against the backdrop of her career as a comedian.
Continue reading “BookBrunch | “How can we be good?” An interview with Sara Pascoe”
This fortnight for BookMachine, I just had to jump on the Kamila Shamsie train, and because I believe that content is king (call me naive!) I had to put in my pennyworth about female protagonists. Read the full article on the BookMachine blog, or get started right here:
Just over a week ago, author Kamila Shamsie spoke out publically, including in The Guardian and The Bookseller, proposing that 2018 should become the Year of Publishing Women (YPM), in order to help counterbalance the prevalent gender bias in Publishing towards male authors.
Continue reading “BookMachine | Authorship versus content representation: What’s the way forward for equality?”
Another fortnight, another BookMachine column! This time, it’s all about the faceless model on bookcovers and how marketing with imaginative space separates Publishing from other industries. Read the full article over on the BookMachine blog – but here’s a taster to get you started:
There is a growing tradition in book publishing to use faceless models on book covers. Tried and tested, models whose faces are hidden are good at selling books. But what’s the psychological process behind this trend? What are the consequences of this marketing method for the reader and should we be keeping an eye on them?
Continue reading “BookMachine | Imaginative Space: The role of the faceless model on fiction book covers”