This week’s BookBrunch interview is with one of my favourite new authors from the past year, Vic James. If you haven’t got your mitts on a copy of her fantastic debut novel Gilded Cage yet, you absolutely should, and for those of you who need more convincing, here’s an interview with the author herself…
Author Vic James is instantly likeable. She’s earnest, friendly and a little bashful, but it soon becomes clear she’s also got a mind like a rapier and a devastatingly on point turn-of-phrase. Her debut novel Gilded Cage, the first book in The Dark Gifts trilogy, garnered over 300,000 readers on Wattpad, sold for a six-figure sum to Pan Macmillan and has been auctioned in six territories and counting. We got together to discuss the real Wattpad society, magical aristocrats, and how fiction can shed light on Britain’s structural inequality.
“People have the idea that Wattpad is this monolithic thing and that people who want to be published authors use it, but that’s not my experience,” James says. Though there are some who use Wattpad to try to “get discovered”, and many of its users are young teenage writers for whom the platform is a learning process, mostly “it’s just there for people to have fun”. Nine in 10 of Wattpad’s 40 million users are just readers, nothing more, many of them from countries with a poor public library system or where they don’t have the money to buy books. It’s huge in the Philippines, for instance.
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As many of you may know, I love short stories. Reading them, writing them, eating them… Ok, maybe I don’t literally imbibe them but there’s a definite consumption process involved in perusing a short story.
So you can imagine how excited I was this week when I got to interview KJ Orr, the winner of this year’s BBC National Short Story Award. As always, read the full article over on BookBrunch or enjoy the excerpt below.
The big book buzz this week has been about the 2016 BBC National Short Story Competition winner, KJ Orr, and her winning story, ‘Disappearances’. A debut author, Orr beat a heavyweight shortlist including Man Booker winner Hilary Mantel and Costa Poetry Award shortlisted Lavinia Greenlaw. Here, Orr discusses what it feels like to have won, how she came across short stories, and their value to readers.
“It feels pretty incredible and still quite hard to believe,” says Orr about winning the award. “I was settled on the idea that I hadn’t won so I was not prepared at all. Doing the live broadcast directly after was surreal. Most writers are fairly introverted, quiet souls, then there are moments where you have to come out and put on a public hat. I just hoped I made some sense because I wasn’t really prepared to say anything!”
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This week for the BookBrunch interview I had a really strong conversation with journalist Gary Younge about his new book, Another Day in the Death of America (Faber). You can read the whole thing over on BookBrunch, or get started with the snippet below…
The Guardian‘s Gary Younge has been undertaking serious investigative journalism since the mid-nineties, exemplified more than ever in his latest book, Another Day in the Death of America. Here, we discuss the book, how he researched it, how journalism has changed over the past two decades, and what that means for storytelling
With five books already under his belt, Younge launched Another Day in the Death of America (Guardian Faber) on 28 September. It has already been featured on Radio 4’s Book of the Week and received reviews fromThe Spectator, The Times, and The Guardian itself among many others. It’s no surprise, because the book’s contents are shocking and moving in equal measure.
“It takes the basic statistical premise that seven children are shot every day on average in the USA and then tries to make it human by picking a random day and finding out who they are,” Younge explains. “It tries to get to the humans stories behind that statistic: how these kids lived and who they were, and maybe showing a bit more about America beyond those particular incidents.”
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This week for the BookBrunch interviews, I talk to comedian and author Sara Pascoe about feminism, comedy and her brand new book, Animal. You can find the full article, right here.
Comedian Sara Pascoe sits in a room at the Faber offices surrounded by piles of her new book, Animal: The Autobiography of a Female Body. She speaks quickly, as if each of her thoughts are eager to be expressed first, and uses her hands expressively to illustrate her points.
We’re here to talk about Animal, but in our half-hour chat the conversation zips from feminism and publishing to empathy and burning orangutans, all set against the backdrop of her career as a comedian.
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This week, I had to hold back my inner Cirque du Freak fangirl when I interviewed master of horror, Darren Shan. We talked boundaries in YA horror, getting shelf-space on a fast publication schedule and the urge to write. You can read the full interview over on BookBrunch.
Very bright and very dark: Darren Shan on writing for the cusp
Darren Shan (real name: Darren O’Shaughnessy) is famous for his YA horror stories: from Cirque du Freak on, so if your child has a penchant for the darker side of fantasy, Shan is probably a household name.
As the final instalment of his latest Zom-B series approaches, we sat down to discuss the light and dark sides of being a teenager, why zombies work with strong themes, and how he’s managed to publish twelve books in just four years.
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